She reunites the fragments of herself into a work that is bold and propitious. On the other side of the aisle are poppy floor fillers such as “Aubade” and “Keeper.” Vu’s vocal range is best demonstrated on the latter, with lyrics that spin platitudes into waiting-to-be-tattooed maxims: “All the people you hurt for aren’t for you.” The high-water mark comes with the flute-bedaubed “My House.” Vu sings of living on the edge of the world, of wanting a home for her own, reflecting on her family’s transience during her childhood and teenage years.Īfter years of uncertainty, of having to lock parts of herself away in storage, Vu has taken charge of her future.
With a wall of sound beneath her, Vu’s voice sounds charged with assertiveness despite the self-deprecating lyrics: “Kick me up/From the gutter to the curb.” Over moody, wintery guitars, she paddles in pessimism before questioning if her feelings are trustworthy: “No I don’t really care now/Or that’s what I’ll say/Who knows if it’s true?” “Gutter” has a similar tilt, but it’s bigger and more cinematic, Sharon Van Etten not Soccer Mommy. The title track has the biggest overlap with her EPs. More than that, though, it trades low fidelity for sonorous synth- and string-coated arrangements comparable with Angel Olsen, maturing her sound into work that could pass for her second or third full-length. Public Storage polishes what Vu investigated on Nicole Kidman / Anne Hathaway-2019’s two-disc EP inspired by her favorite big-screen belles namely the merger of dancey indie pop with glum, guitar-led contemplation.
#Keeper lyrics hana vu generator
LA’s newest hype generator is the 21-year-old singer/songwriter, owner of a handful of scruffy but brilliant EPs and now armed with a debut album that’s equal parts club-ready (“Aubade”) and the soundtrack to late-night drives (“Anything Striking”). It happened to Car Seat Headrest, it happened to Jay Som, and it can happen to Hana Vu, too. And then the indie labels clamor for the awaited debut. Then comes the buzz-the undercurrent Spotify playlists, the 1 p.m. It begins with self-produced bedroom bops. The family environment created a contrast to Hana’s bursting performance and underscored the pain of not being visible, even sometimes by your own relatives.The path to indie eminence seems to follow a pattern. I set the film in a family environment because as viewers we usually associate families with a sense of security and safety. Just like Hana, we’re trapped in a cycle of being constantly ignored. By shooting the video in a single take we never let the audience off the hook. I wanted to make a video that expressed the feeling of not being seen when all you really want to do is explode. When I listened to ‘Keeper,’ I thought about how we’re all trapped by different societal expectations - whether it’s from work, family, friends or the devil inside ourselves. Here’s Houang on the idea behind the video: It comes with a music video directed by Meagen Houang which finds Vu causing some chaos in an apartment.
She’s shared “ Maker” and “ Everybody’s Birthday” from it so far and today she’s back with another single, “Keeper,” a high-drama track that boasts some strobing synths and Vu’s lower register. Hana Vu is releasing her debut full-length, Public Storage, at the beginning of November.
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